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Federico Moreno Torroba (1891–1982) was one of the most prolific composers in twentieth-century Spain. As composer, conductor, impresario, President of the General Society of Authors, and director of the Royal Academy of Fine Arts of San Fernando, his work had a great impact on many facets of Spain’s musical culture. Walter Aaron Clark and William Craig Krause are the first to undertake a broad biographical survey of Torroba, and in the process begin to reverse the unfortunate neglect of his life and work. Torroba’s traditional and Romantic style was surprisingly consistent throughout his lengthy career, and as a composer he made successful contributions to a diverse variety of musical genres. He is best known for his compositions for the theatre and for the guitar (Segovia justifiably claimed he was the first non-guitarist to compose for the instrument).

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While much of Torroba’s lasting appeal now rests upon his many solo guitar pieces, he also produced a substantial body of staged works mostly in the form of the Spanish zarzuela, a light operatic genre that alternates between spoken dialogue and musical numbers influenced by popular song and dance, which has fallen into obscurity in recent decades. Bleach Number One Instrumental Mp3 Download. The book is founded on an abundance of historical documents, archival material, interviews, and musical scores. Clark and Krause first question why scholarship on Torroba has languished despite his ample contributions, and ask whether writing about Torroba is ‘an idea whose time is long overdue in coming, or simply a bad idea’ (p. With this seemingly unorthodox approach, they establish the means [End Page 673] not only to understand Torroba himself, but also to unravel reasons behind the scholarly neglect of one of twentieth-century Spain’s most influential composers, and the neglect of Spain’s music as a whole in the general discourse of Western musical history. This book was developed largely from Krause’s pioneering doctoral research on Torroba.